-
1 finality of judgment
-
2 finality of judgment
Юридический термин: заключительный характер судебного решения, окончательный характер судебного решения -
3 finality of judgement
= finality of judgment остаточність рішення по кримінальній справі; остаточний характер судового рішення -
4 finality
заключна дія; заключна процедура; остаточний характер ( рішення тощо)- finality of judgment -
5 legal finality of a judgment
law• oikeusvoimaisuus -
6 заключительный характер судебного решения
Универсальный русско-английский словарь > заключительный характер судебного решения
-
7 окончательный характер судебного решения
Универсальный русско-английский словарь > окончательный характер судебного решения
-
8 Rechtskrafterstreckung
Rechtskrafterstreckung f effect (of finality) of judgment -
9 final
['faɪnl] 1.1) attrib. (last) [day, question, meeting] finale, ultimofinal examinations — BE univ. esami finali; AE univ. esami di fine semestre
2) (definitive) [decision, answer] definitivo, finale; [ result] finale; [ judgment] irrevocabile, definitivo2.1) sport finale f.2) giorn. ultima edizione f.3.1) BE univ. esami m. finali; AE univ. esami m. di fine semestre* * *1. adjective1) (the very last: the final chapter of the book.) finale2) ((of a decision etc) definite; decided and not to be changed: The judge's decision is final.) definitivo2. noun(the last part of a competition: The first parts of the competition will take place throughout the country, but the final will be in London.) finale- finally- finalist
- finality
- finalize
- finalise
- finalization
- finalisation
- finals* * *['faɪnl] 1.1) attrib. (last) [day, question, meeting] finale, ultimofinal examinations — BE univ. esami finali; AE univ. esami di fine semestre
2) (definitive) [decision, answer] definitivo, finale; [ result] finale; [ judgment] irrevocabile, definitivo2.1) sport finale f.2) giorn. ultima edizione f.3.1) BE univ. esami m. finali; AE univ. esami m. di fine semestre -
10 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
-
11 заключение
1) General subject: afterword (в книге), close, closing, completion, conclusion, confinement, consectary, consequence, contraction (брака и т. п.), corollary, custody, decision, deduction, development, duress (в тюрьму), epilogue, expertise, finality, imprisonment, inference, lastly, limbo, peroration, reclusion (одиночное), restraint (в тюрьму, сумасшедший дом и т. п.), rider, seclusion, tag, termination, upshot, bottom line, bottomline, certificate2) Naval: enclosure (напр. в оболочку)3) Medicine: conclusion decision, embedding, encompassing4) American: allow5) Church: amen6) Obsolete: ward7) Military: concluding remarks, final statement (документ)8) Engineering: conclusion (вывод), deduction (вывод), encasement (напр. в оболочку), final report (отчёт комиссии), findings (напр. комиссии), inference (вывод), postamble, summary9) Construction: conformance, finding (экспертизы)10) Mathematics: inclusion11) Religion: concluding, finis12) Law: conclusion (напр. договора), contraction (напр. займа, брака), formation (договора), opinion letter (юридическое), pronouncement, opinion, determination13) Economy: conclusion (контракта), decision (напр. эксперта), effecting, report14) Accounting: action, opinion (аудитора), opinion paragraph (второй параграф заключения аудитора с выражением оценки содержания финансовых отчётов), opinion section (второй параграф заключения аудитора с выражением оценки содержания финансовых отчётов)15) Diplomatic term: decision (эксперта), finding (комиссии и т.п.)16) Italian: finale17) Logics: illation18) Metallurgy: appraisal (напр. по рентгеноснимку)19) Textile: clearing (в процессе петлеобразования)20) Information technology: postamble (отмечающее конец записи), postambling, verdict21) Oil: postlude22) Advertising: sign-off23) Patents: action (патентного ведомства по заявке), decision (напр. экспертизы)24) Business: findings, judgment, key take-aways, key takeaways26) leg.N.P. advice, making (e.g., of an agreement, a contract, a treaty)27) Aviation medicine: evaluation, qualification28) Makarov: cope-stone, encasement (напр. в оболочку, кожух), enclosure (напр. в оболочку, кожух), final report (комиссии инспекции и т.п.), findings (комиссии инспекции и т.п.), implication, inference (напр. в экспертной системе), inquest, negotiation (договора, контракта), opinion (специалиста), prison, resulting deduction29) oil&gas: executive summary30) Camera recording: finding (в экспертных системах - AD) -
12 final
1. adjective1) (ultimate) letzt...; End[spiel, -stadium, -stufe, -ergebnis]; Schluss[bericht, -szene, -etappe, -phase]final examination — Abschlussprüfung, die
2) (conclusive) endgültig [Urteil, Entscheidung]is this your final decision/word? — ist das Ihr letztes Wort?
2. nounI'm not coming with you, and that's final! — ich komme nicht mit, und damit basta! (ugs.)
* * *1. adjective1) (the very last: the final chapter of the book.) letzt2) ((of a decision etc) definite; decided and not to be changed: The judge's decision is final.) endgültig2. noun(the last part of a competition: The first parts of the competition will take place throughout the country, but the final will be in London.) das Finale- academic.ru/27302/finally">finally- finalist
- finality
- finalize
- finalise
- finalization
- finalisation
- finals* * *fi·nal[ˈfaɪnəl]in the \final analysis the client has the freedom to refuse the offer letzten Endes hat der Kunde die Freiheit, das Angebot abzulehnen\final chapter Schlusskapitel nt\final closing date letzter Schlusstag\final date for payment letzter Zahlungstermin\final phase [or stage] Endphase f\final product Endprodukt ntto be in the \final stages sich akk im Endstadium befindenthe game was in the \final stages das Spiel befand sich in der Schlussphase\final result Endergebnis nt2. (decisive) entscheidend\final decision endgültige Entscheidung\final judgment rechtskräftiges Urteil3. (indisputable) endgültig, definitivyou're not going on that holiday and that's \final! du machst diesen Urlaub nicht und damit basta! famII. nto get [or go] [through] to the \final ins Finale kommen2. (final stage)▪ \finals pl Finale nt▪ \finals pl [Schluss]examen nt, Diplomprüfung f ÖSTERR, SCHWEIZto take one's \finals Examen [o ÖSTERR, SCHWEIZ Diplomprüfung] machen5. PUBL, JOURN, MEDIA Spätausgabe f* * *['faɪnl]1. adj1) (= last) letzte(r, s)final round/match — letzte Runde/letztes Spiel; (in a tournament) Endrunde f/-spiel nt
final stage(s) — Endstadium nt
final vowel/consonant — Schlussvokal m/-konsonant m
final act/scene/chapter — Schlussakt m/-szene f/-kapitel nt
2) (= definitive) result, outcome, decision, approval, version endgültigfinal verdict — Endurteil nt
final score — Schlussstand m, Endergebnis nt
... and that's final! —... und damit basta! (inf)
See:3) (= ultimate) humiliation größte(r, s)the final irony is that he died two days before the book was completed —
he paid the final penalty for his crime — er bezahlte sein Verbrechen mit dem Leben
2. n1) (ESP SPORT) Finale nt; (of quiz, field event) Endrunde f; (= game) Endspiel nt; (= race) Endlauf mto get to the final — ins Finale kommen
World Cup Final (Ftbl) — Endspiel nt der Fußballweltmeisterschaft
the Olympic high jump final — das olympische Finale im Hochsprung
the finals — das Finale, die Endrunde
3) (PRESS)the late ( night) final — die letzte (Nacht)ausgabe
* * *final [ˈfaınl]1. letzt(er, e, es):2. endgültig, End…, Schluss…:final account Schlussabrechnung f;final date Schlusstermin m, äußerster Termin;final disposal site Endlager n;final examination (Ab)Schlussprüfung f;is that your final offer? ist das dein letztes Angebot?;final velocity Endgeschwindigkeit f;3. endgültig:a) unwiderruflich:b) entscheidendc) JUR rechtskräftig:final judg(e)ment Endurteil n;after final judg(e)ment nach Rechtskraft des Urteils;4. perfekt, vollkommen5. LINGa) auslautend, End…:final s Schluss-s nb) Absichts…, Final…:B s1. SPORT Finale n:a) Endkampf mb) Endlauf m:final A (Schwimmen) A-Finalec) Endrunde fd) Endspiel n2. meist pl besonders UNIV (Ab)Schlussexamen n, -prüfung f3. umg Spätausgabe f (einer Zeitung)* * *1. adjective1) (ultimate) letzt...; End[spiel, -stadium, -stufe, -ergebnis]; Schluss[bericht, -szene, -etappe, -phase]final examination — Abschlussprüfung, die
2) (conclusive) endgültig [Urteil, Entscheidung]is this your final decision/word? — ist das Ihr letztes Wort?
2. nounI'm not coming with you, and that's final! — ich komme nicht mit, und damit basta! (ugs.)
* * *(sport) (UK) n.Entscheidungskampf m. adj.End- präfix.abschließend adj.endgültig adj.letzter adj. n.Abschlussprüfung f.Schlussrunde f. -
13 oikeusvoimaisuus
law• legal finality of a judgment
См. также в других словарях:
finality — Conclusiveness; completeness. 2 Am J2d Admin L § 483. The quality in a judgment or decision of being a full and unconditional determination. 4 Am J2d A & E § 51. The quality of conclusiveness, which may be the result of statute or, as in the case … Ballentine's law dictionary
Default judgment — Civil procedure in the United States Federal Rules of Civil Procedure Doctrines of civil procedure Jurisdiction Subject matter jurisdiction Diversity jurisdiction Personal jurisdiction Removal jurisdiction Venue Change of venue … Wikipedia
Motion to set aside judgment — Civil procedure in the United States Federal Rules of Civil Procedure Doctrines of civil procedure Jurisdiction Subject matter jurisdiction Diversity jurisdiction Personal jurisdiction Removal jurisdiction Venue Change of venue … Wikipedia
Critique of Judgment — Part of a series on Immanuel … Wikipedia
interlocutory judgment — An intermediate judgment, a judgment which lacks finality. United States v Howe (CA2 Vt) 280 F 815, 23 ALR 531, cert den 259 US 587, 66 L Ed 1077, 42 S Ct 590. A judgment which speaks between , that is does not speak the last word which the court … Ballentine's law dictionary
conclusiveness of judgment — Verity, finality, and binding effect. 30A Am J Rev ed Judgm § 311. A judgment or an equivalent order is final and conclusive when it terminates a matter in such a way as to end it and to preclude all further inquiry concerning the truth thereof.… … Ballentine's law dictionary
final — fi·nal adj 1: ending a court action or proceeding leaving nothing further to be determined by the court or to be done except execution of the judgment but not precluding appeal used of an order, decision, judgment, decree, determination, or… … Law dictionary
Kant: Critique of Judgement — Patrick Gardiner Kant’s third Critique, the Critique of Judgement, was published in 1790 and was intended as he himself put it to bring his “entire critical undertaking to a close.” So conceived, it was certainly in part designed to build upon… … History of philosophy
Moses H. Cone Memorial Hospital v. Mercury Constr. Corp. — Cone Mem. Hosp. v. Mercury Constr. Corp. Supreme Court of the United States Argued November 2, 1982 D … Wikipedia
Infallibility — • In general, exemption or immunity from liability to error or failure; in particular in theological usage, the supernatural prerogative by which the Church of Christ is, by a special Divine assistance, preserved from liability to error in her… … Catholic encyclopedia
MA'ASEH — (Heb. מַעֲשֶׂה), a factual circumstance from which a halakhic rule or principle is derived; as such it constitutes one of the Jewish law sources. A legal principle originating from ma aseh is formally distinguished from those originating from one … Encyclopedia of Judaism